A personal exploration of Cinema 4D, built with MoGraph tools and finished in Redshift. The idea took root during a trip to a small town in the countryside of São Paulo, where flowers and plants drive the local economy. I photographed everything along the way, and those references pushed me toward something more organic and natural than my usual work.
Simulations bring the petals and rocks to life in the opening frames, while fields and volume builders tie the whole scene together at the end. Balanced alongside a few client projects, the piece came together in about a week and a half.
